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Ms. Rita Edmond: A Glance at Destiny

by Wattree 11/16/2011 - 3:10 am

 

BENEATH THE SPIN • ERIC L. WATTREE

Ms. Rita Edmond: A Glance at Destiny  
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I’m about to throw you a curve here, Milton.  I’m sure it’s going to strike you as beyond curious that during these dire political times one of your most strident political columnists would be writing you about music. But mark my words, I’m discussing much more than simply music here. This article describes an auspicious event that’s taking place in the world of jazz, which, for over a hundred years has always signaled a significant change in our political environment.  So please don’t confuse this with a music review.  Music is just the backdrop. My actual intent is to allow our readers to become a witness to history. Let me explain what I mean:   
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For over a century the developments in jazz have always been a harbinger of things to come. It was jazz that made the Roaring Twenties roar, with people like Louis Armstrong and Fats Waller. It was also jazz that sustained us through the Great Depression of the thirties, with the driving big bands of Duke Ellington, Count Basie, and Chick Web, bringing along great ladies like Ella Fitzgerald and Billie Holiday.  Later, jazz bolstered our troops to defeat fascism during WWII with people Benny Goodman and Jimmy and Tommy Dorsey. Then after the war, the celebratory sounds of bebop appeared on the scene, with Charlie parker, Dizzy Gillespie, and the fabulous Sarah Vaughan to usher in an era of the most sustained prosperity that this country has ever known. Then during the fifties and sixties Miles and Trane took over the reins to signal the emergence of a new Black consciousness, and the birth of a generation of Black people who were unwilling to "take their place" on the back of the bus.     
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Now, due to the harmonic complexity and sophistication of jazz, it’s certainly not the most popular music in the country, since much of it is beyond the easy grasp of the masses. But that doesn’t make it any less influential in shaping the thinking of the people, because due to the musical innovations that continue to take place within its insulated world, jazz invariably defines the course of the music that the masses can understand.  Thus, over the years, jazz has unfailingly defined the tenor of our times, and so it is again.
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One day a musician friend of mine approached me and said he wanted me to hear a CD. I'm an old school musician - Charlie Parker, Dexter Gordon, Mile Davis, etc. - so I'm not very big on today’s commercialism, but since he was a friend and fellow sax player, I agreed to take a listen. 
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The CD was the work of a lady by the name of Rita Edmond, a name that I hadn’t ever heard before, but before this sister got to the bridge of the first chorus of the tune, I knew this wasn't just another singer. It was clear to me that this woman was a talent on the level of Ella, Sarah, and Dinah Washington. So when my friend saw my reaction, he started telling me that he could get me a copy of the CD, but I told him, "No, I want this one," and I literally SEIZED the CD from the brother. I threw some money on the hood of his car, and went to the park and spent hours listening to this fabulous lady, and I found every tune on the CD to be just as good or better than the one before. Thereafter, I broke my policy of only writing about politics, and plunged into an article about this very special lady.
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Ms Edmond is not just an entertainer, she’s a harbinger of a new era, so her discrete and unheralded arrival on the jazz scene is indeed ironic. She should have been welcomed with blaring horns, because her very presence signals the end of an era of gross mediocrity in the country, and in modern jazz.
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Perhaps that’s why in spite of the fact that she’s getting the accolades of flawless reviews, invited to open Dodger games, and being sought out to sing at celebrity weddings, the industry as a whole is doing its very best to blot her out.  You see, the industry is a step ahead of us. They understand what Ms Edmond represents - a frontal assault on the forces of mediocrity. 
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Rita Edmond looms as a serious threat to both the business and the political interests of those who have a vested interest in maintaining the status quo. If the masses begin to embrace Ms Edmond as the standard that defines talent, excellence, and class, the millions of dollars that the industry has spent to promote mediocrity will go for naught. And on a political level, Ms Edmond’s style, professionalism, and focused pursuit of excellence is absolutely toxic to the media’s attempt to dumb-down America.
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Rita has produced two CDs so far - “Sketches of A Dream” and “A Glance at Destiny,” (which she certainly is). And she came out the gate jumping in with both feet. On both CDs she tackles standards and signature songs by some of the best singers who ever lived, and she didn’t come up short once. Every song she does is either comparable or better than the version that made it famous - and any song on either of the two CDs could serve as the title song of the CD itself.
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And we’re not talkin’ fillers, here. On both CDs you definitely get your money’s worth. On the CD, "Sketches of a Dream," she does Dindi, Star Eyes, You’d Be So Nice To Come Home To, Body And Soul, All The Way, On The Street Where You Live, My Romance, Never Let Me Go, Day By Day, Out of Nowhere, Just In Time, Here’s That Rainy Day, You Stepped Out Of A Dream, Misty, Almost Like Being In Love, and Our Love Is Here To Stay. And the CD, "A Glance at Destiny", is just as formidable, where she does songs like Sunny, You’ve Changed, It Might As Well Be Spring, and You Don’t Know What Love Is.
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Of particular note on "A Glance At Destiny," Ms Edmond does Here’s To Life.That song has been done by some of the greatest singers in the world, both living and dead, but Rita has made that song her own. I challenge anyone who’s ever dedicated their life to fighting the good fight to try to get through that song with dry eyes. I’ve listened to it hundreds of times now, and I haven’t been successful yet.
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So yes, Rita Edmond is far from just another entertainer. This lady is the consummate artist. While she has a four octave range, unlike lesser singers, she never uses it frivolously just to say to the audience “look what I can do.” She never over-sings, and she never under-sings. She always puts the music first, and only dips into her formidable resources when the music demands it. In fact, every time she sings a song, it serves as a tribute to the composer.
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Yet, she puts her undeniable stamp on every song she sings, but again, not with frivolous and over-the-top embellishments, but with pure passion, and the power of excellence. The emotion in her ballads drip like honey, and she swings with the effortless finesse of a Bentley cruising down Pacific Coast Highway. 
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Clear evidence of my assessment of Ms Edmond can be found in a YouTube video of her  appearing at the Los Angeles County Museum of Art. She does“Embraceable You” with Harold Land, Jr. on keyboard. Her performance is simply flawless. The only thing missing is the melodic tones of Charlie Parker in the background. Bird would have loved her, because even as a relatively young woman, she belongs to his world.
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Milton, I realize that I've made a series of grandiose assertions here, and since we're both objective journalists I don't expect you to simply take me at my word. So I've attached a few links below. Take a minute and listen to this lady for yourself. I'm sure that when you're done my credibility will remain firmly intact.
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Thus, I've written this as both an article and a personal communication because you’re in a position to do the world a favor. I know you’ve got an ongoing relationship with Bill Cosby, and I also happen to know that Bill is a huge supporter of jazz. After you've listened to Rita yourself, take a minute to contact Bill and have him give her a listen. You'll not only be doing the world a favor, but you'll be doing Bill and yourself a favor as well. I assure you, Bill will be eternally grateful to you for providing him the opportunity to make a huge contribution to jazz, and also, for allowing him to give the world . . . a glance at destiny.
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Here's to Life
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Embraceable You
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It Might As Well Be Spring
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Gentle Rain
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You Don't Know What Love Is
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Eric L. Wattree 
 
Religious bigotry: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does.
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Thanks for this. I'll track down her CDs.The music industry has become somewhat stagnant. Picking singers by "viewer voting" after watching them perform music that they really don't love, but fit the format of the week seems absurd.

By the way I'm still playing  Richard Allen Williams' music. You might be interested in this article from JazzTimes

http://jazztimes.com/community/articles/28926-meeting-the-other-richard-...

by rmrd0000 11/16/2011 - 11:57 am

You're very welcome, RM.

 

Dr. Richard Williams is just as brilliant a cardiologist as he is a trumpet player. He was trained and taught medicine at Harvard, and he's now the head of cardiology at the UCLA Medical Center.  He's an amazing and diverse man.  He was also Miles Davis' personal physician, by the way, and I met him through Ms Rita Edmond.

I sincerely hope brilliance is contagious. I'll ask the doctor the next time I see him.  

by Wattree 11/16/2011 - 8:05 pm (re: rmrd0000)

Wow! She is incredible. Thanks so much for turning me on to her singing!

by MrSmith1 11/16/2011 - 1:25 pm

She certainly is, Mr. Smith.

And the best is yet to come. You should hear some of the things she's working on. When I said she was a world-class talent, I wasn't exaggerating a bit. She sounds better over the telephone than most do with a big band and stings behind them - and that's no exaggeration either.    

by Wattree 11/16/2011 - 8:14 pm (re: MrSmith1)

I am going to track down what I can find on Youtube right now!

Good to see you Wattree; traffic here a little slim.

We need folks like you to shake things up! ha

by Richard Day 11/16/2011 - 4:25 pm

I have peasant ears but I am now on my fifth tune at youtube and I found this take on one of my favorite pops:

by Richard Day 11/16/2011 - 4:45 pm (re: Richard Day)

So, you are a lounge lizard with pheasant ears? That's pretty weird. 

by A Guy Called LULU 11/16/2011 - 5:25 pm (re: Richard Day)

hahahahahaha

by Richard Day 11/16/2011 - 6:09 pm (re: A Guy Called LULU)

Hey Rich,

As long as you're around I'm sure the site is secure.  I've been wearing my paralegal hat lately. It's time to give those post office administrators a little whipping - or whoppin' as we hood rats say.

 

by Wattree 11/16/2011 - 8:30 pm (re: Richard Day)

Free as a Bird - old school. How did we go off track?

by Wattree 11/16/2011 - 8:34 pm (re: Wattree)

Oh this is off track and you have other responsiblilities.

I just fell in love with this Jazz Lady.

She titillates my heart and that is hard to do with all the harm I have done to my arteries.

But Bill Cosby is one of my heroes and he shall remain so.

I know he has been attacked for attacking pants and such.

This man brought the African-American to the forefront of the MSM.

They could not ignore him.

I am so old that it was Noah that first introduced me to him!

If I have witnessed a change in America over the last 60 years I would of course include MLK (which sounds like some porno abbreviation) or Debois (whom no white man would ever have even had the pleasure of reading) or Jackie Robinson or James Brown or Harry Belafonte or (my favorite) Sidney Potier ...or hundreds of others who had reached MSM; I do not think there would have been the recognition given to the gifts America has received from the legacy of slavery.

Things have changed.

We can get caught up in rush and hannity and beck and bachmann and ....whatever.

But Jazz, I mean Jazz even for us with tin ears has shaped our culture to an extent that could ever have been forcast.

I recall Louis, in tears, wondering why an educated and illuminated girl was having problems going to school.

That is why I really really feel our society has been transformed.

This Cain is an idiot.

Thomas is a real threat to democracy.

But the thousands of minorities who have had the opportunity to express themselves in a myriad of media; that has made a difference. At least to me.

I was watching an old movie on TCM the other night. Two Blacks and their back up band were doing a Jazz gig and the whites in all their night garb were jumping up and down and in ecstacy....

That was the 40's...

Something was happening there....

Oh well that is enough.


 

 

by Richard Day 11/16/2011 - 8:56 pm (re: Wattree)

Thanks Eric.  It's so good to listen to something real.

by Dan Kervick 11/17/2011 - 1:10 am

You're very welcome, Dan.

 

This article has allowed to promote a wonderful artist, entertain you, and strike a blow for jazz all at the same time, so it's a win, win, win for me - oh yeah, and one more win. when Rita becomes the musical icon that I'm certain she's going to become, I'll have the bragging rights to tell the world, "I TOLD YOU SO!"  I can't overlook that - considering  my ego, that's a biggie.

by Wattree 11/17/2011 - 12:46 pm (re: Dan Kervick)

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