Donal: Is Occupy Over?
Ramona's Piece de la Resistance (Including Pics of Obama, Romney, FDR)
dagblog To Give Away Logoed Hairshirt To Most Effective Lamenter Of Left's Ineptitude
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Donal: Is Occupy Over? Ramona's Piece de la Resistance (Including Pics of Obama, Romney, FDR) dagblog To Give Away Logoed Hairshirt To Most Effective Lamenter Of Left's Ineptitude |
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The big night is almost here and everyone is wondering: Will they go ridiculously overboard in stimulating the economy or will the show be more circumspect in an acknowledgement that average America isn't buying up Harry Winston diamonds like we used to?
I'll leave these important questions to others while I go out on a (short) limb and make some predictions, starting with Best Picture. I'll do my best to get to the other categories as well, but that leaves me with 8 movies to see in two weeks, so no promises.
First on the list is The Curious Case of Benjamin Button, or as I like to call it The Curious Case of How One Cannot Recover Three Lost Hours of One's Life. Seriously, who thought it was a good idea to turn a short story into a three-hour movie? Benjamin Button is boring. I saw it only a week ago and I already can't remember if it was about anything other than a boy born old who gets young and then dies. It might have been interesting if the filmmakers had ruminated a bit on why this had happened. But all we get in the way of explanation is a backwards clock. The affected parties--the girlfriend, the biological father, the adoptive mother, and Benjamin himself--seem rather unfazed that he is a freak of nature. Speaking of losing three hours of one's life, if this movie wins, I'm going to feel that way again when the Oscars is over.
Milk, another bio-pic that I wasn't particularly interested in seeing, turned out to have me on the edge of my seat. I knew how it ultimately would end, but I was hazy on the details. It's an inspiring story and a lesson in how the enemies of equality have employed the same arguments over and over in their fight against what is right. I don't think I'll ruin anything for you if I mention that it is the side fighting for equal rights that keeps gaining ground. I heard Sean Penn was in this movie, but he doesn't appear onscreen. Okay, he does. But he is so lost in the character of Harvey Milk that you might not recognize him. Milk is a great film that shouldn't win the Best Picture award. It might though, if enough Academy members want to send a great big, gift-wrapped middle finger to Utah.
Since I heard The Reader was coming to the screen, I'd had mixed feelings. I'm usually disappointed when dramas are adapted. The book is always so much better, if only because there is so much more time to internalize the thoughts and feelings of the characters. In this case, the book left me disturbed and amazed. And to my delight, the movie did exactly the same. It's the story of a 15-year old boy who has his first affair with a woman at least twice his age and of the impact that affair has on his life as he later learns more about his first love. I can't recommend the movie highly enough. If it wins, it will be well deserved. But I don't think it will win.
Much has already been written about Slumdog Millionaire. Our own Genghis has a great review. I don't have too much of substance to add to the praise already being heaped on the movie. You might think that Slumdog would be depressing, since after all it is about a boy who is born into abject poverty. There are depressing moments, sure. But the story unfolds in a creative and colorful way, with a sort of MTV editing that gives it edge without making it seem like you're watching a bad music video. I predict that Slumdog Millionaire will win best picture because it is a feel-good movie in a time when the whole world desparately needs to feel good. But that is not to say that the win will be undeserved. The movie is a must-see.
Doubt is a movie that should have been on this list. The acting in Doubt is of such high caliber that Viola Davis got a Best Supporting Actress nomination for appearing in just one scene. In fact, all four main actors in the movie are nominated. Slumdog would still be my choice to win but Doubt's ommission is a glaring oversight.
Perceptive Dagblog readers know the difference between Obama, Romney and Bush:
Obama NYT today: .how President Obama’s thinking about what he once called “a war of necessity” began to radically change less than a year after he took up residency in the White House....The aide told Mr. Obama that he believed military leaders had agreed to the tight schedule to begin withdrawing those troops just 18 months later only because they thought they could persuade an inexperienced president to grant more time if they demanded it. “Well,” Mr. Obama responded that day, “I’m not going to give them more time.”...Mr. Obama concluded in his first year that the Bush-era dream of remaking Afghanistan was a fantasy...
Mitt Romney, Feb. 2012 : LAS VEGAS -- LAS VEGAS -- Republican presidential candidate Mitt Romney on Wednesday night blasted President Obama and his administration for “putting in jeopardy” the nation’s military mission by signaling it hopes to end its combat mission in Afghanistan by the middle of 2013.
Appearing at a campaign rally here shortly after landing in Nevada, Romney said Defense Secretary Leon E. Panetta’s statement Wednesday that U.S. forces would transition from a combat mission in Afghanistan next year “makes absolutely no sense.”....
George W. Bush, from May, 2003: BBC - "We do not know the day of final victory, but we have seen the turning of the tide... Free nations will press on to victory,"
Bush Afghanistan strategy : Gen. Douglas E. Lute, who had spent the last two years of the Bush administration trying to manage the many trade-offs necessary as the Iraq war consumed troop and intelligence resources needed in Afghanistan, arrived with a PowerPoint presentation. The first slide that General Lute threw onto the screen caught the eye of Thomas E. Donilon, later President Obama’s national security adviser. “It said we do not have a strategy in Afghanistan that you can articulate or achieve,” Mr. Donilon recalled three years later. “We had been at war for eight years, and no one could explain the strategy.”
Mitt Romney isn’t very far into the vice presidential selection process. But according to a dedicated band of conspiracy theorists, the pick is all but a lock: Sen. Marco Rubio.
That’s the current thinking among a worldwide collection of activists who are obsessed with the secretive Bilderberg Group, an alternating roster of global power players who loom as large — if not larger — in the online fever swamps of the fringe as the Trilateral Commission or the Council on Foreign Relations.
Read more: http://www.politico.com/news/stories/0512/76518.html#ixzz1vN5egowz
Aristotle and Plato didn’t agree on much, but they were united in identifying wonder as the origin of their profession. As Aristotle said, “It is owing to their wonder that men . . . first began to philosophise.” This idea appeals to scientists, who frequently enlist wonder as a goad to inquiry. “I think everyone in every culture has felt a sense of awe and wonder looking at the sky,” wrote Carl Sagan in 1985, locating in this response the stirrings of a Copernican desire to know who and where we are.
Yet that is not the only direction in which wonder may take us. To Thomas Carlyle, wonder sits at the beginning not of science, but of religion. That is the central tension in forging an alliance of wonder with science: will it make us curious, or induce us to prostrate ourselves in pitiful ignorance? We had better get to grips with this question before we too hastily appropriate wonder to sell science. That is surely what is going on when pictures from the Hubble Space Telescope are (unconsciously?) cropped and coloured to recall the sublime iconography of Romantic landscape painting, or the Human Genome Project is wrapped in biblical rhetoric, or the Large Hadron Collider’s proton-smashing is depicted as “replaying the moment of creation”. The point is not that such things are deceitful or improper, but that if we want to take that path, we should first consider the complex evolution of the relation between science and wonder.
[....]
Pretending that science is performed by people who have undergone a Baconian purification of the emotions only deepens the danger that it will seem alien and odd to outsiders, something carried out by people who do not think as they do. Daston believes that we have inherited a “view of intelligence as neatly detached from emotional, moral and aesthetic impulses, and a related and coeval view of scientific objectivity that brand[s] such impulses as contaminants”. It is easy to understand the historical origins of this attitude: the need to distinguish science from credulous “enthusiasm”, to develop an authoritative voice, to strip away the pretensions of the mystical Renaissance magus who acquired knowledge through personal revelation. We no longer need these defences, however; worse, they become a defensive reflex that exposes scientists to the caricature of the emotionally constipated boffin, hiding within thickets of jargon.
... We’re trying to harness photosynthesis. A key part of photosynthesis is what happens when the sun goes down. Cells convert CO2 into sugar and fat molecules. And they store the fat to burn as energy to get them through the night ... We’re trying to coax our synthetic cells to ... store far more fat than they actually were designed to do, so that we can harness it all as an energy source and use it to create gasoline, diesel fuel, and jet fuel straight from carbon dioxide and sunlight. This would shift the carbon equation so we’re recycling CO2 instead of taking new carbon out of the ground and creating still more CO2. But it has to be done on a massive scale to have any real impact on the amount of CO2 we’re putting into the atmosphere, let alone recovering from the atmosphere.
... We envision facilities the size of San Francisco. And 10 or 15 of those in this country. We need sunlight, seawater, and non-agricultural land, but you need a lot of photons to drive this. You need a lot of surface area of sunlight to do that. It’s a great use for Arizona. Lots of sunlight there.
... If we can’t get some key scientific breakthroughs within the next couple of years, it probably won’t happen in 10 years. So it’s something that’s really dependent on fundamental science. But we’re already able to do things that were once seen as impossible.
... I think the new anti-intellectualism that’s showing up in politics today is a symptom of our not discussing these issues enough. We don’t discuss how our society is now 100 percent dependent on science for its future. We need new scientific breakthroughs—sometimes to overcome the scientific breakthroughs of the past. A hundred years ago oil sounded like a great discovery. You could burn it and run engines off it. I don’t think anybody anticipated that it would actually change the atmosphere of our planet. Because of that we have to come up with new approaches. We just passed the 7 billion population mark. In 12 years, we’re going to reach 8 billion. If we let things run their natural course, we’ll have massive pandemics, people starving. Without science I don’t see much hope for humanity.
Thanks for the predictions O! I am going with Benjamin Buttons. I kid, I kid. Forrest Gump already won an Oscar - not fair for it to be nominated again this year. Slumdog Millionaire deserves it and it's not even a close year for me. Milk was a close second for me. Poor Sean Penn - any other year he'd be a lock for Best Actor too, but my money is on Mickey Rourke for The Wrestler.
And Doubt had brilliant performances from every one - Streep, PSH, Adams, Viola Davis. I thought would walk away with the SAG award for best film since that is supposed to be about the acting of the ensemble cast.
I'm boycotting if Slumdog doesn't win. Although because I never watch anyway, that's a pretty hollow threat.
Convenient though. If you don't watch and Slumdog doesn't win, you can say that's the reason for your boycott.
I agree about doubt. I wonder if the Academy is unwilling/afraid to take into consideration such a serious movie in these times, or if it wants to stick with frivolous or inspirational flicks at a time when so many are suffering. (JS)